Élevé à l'orphelinat Wammy's House (orphelinat créé par Mello meurt tué par Kiyomi Takada, qui a écrit son nom sur une page du Death Note, lors de l'enlèvement de cette dernière.
When the children go back indoors, Mello can be seen holding a smaller boy back. He later gains a large scar, which begins somewhere between his shoulder and waist and extends up to just between his nose and left eye, after initiating an explosion in the Mafia hideout in order to escape being captured. — Mello. He is told that L failed to choose either him or Near as a successor. This alerts Near's agent, During the final showdown with Light and Mikami, Near credits Mello as the single most pivotal person in exposing Light's plans and thus bringing about his subsequent defeat. At first, Obata tried to depict Mello as having "more energy than Near." Mais tarde, ele ganha uma grande cicatriz no lado esquerdo de seu rosto, depois de se iniciar uma explosão do esconderijo da máfia a fim de escapar de ser capturado. Mello is a young man with chin-length golden-blond hair and blue eyes. Obata said that, for him, Mello's design (originally Near's) was "more calm and feminine," while Near's (originally Mello's) was more chaotic with his tangled hair. This proves to be his undoing, as she has a piece of Mikami's Death Note hidden in her clothes and the blanket allows her to hide it. Calmly and methodically, Mello himself states that Near should be the successor, and he soon after runs away from Wammy's House, determined to find Kira his own way. The writer recalled that he considered having Mello be the character who ultimately defeats Light. Mello kidnaps Mello forces Takada to strip in order to get rid of any tracking devices; however, he allows her to cover herself with a blanket.
I don't care what it takes. His bangs hang down just over his eyebrows, and he stands at about average height. Plus tard, il aura une une longue cicatrice allant de son oeil gauche jusqu'à son épaule et qui a été causée suite à une explosion au sein du quartier général de la Mafia.Dans le manga, il porte un chapel… The artist added that the designs for the characters became switched at the design phase; the final Mello had Near's design and vice versa. Although he has a Death Note and can see Mello's real name, Soichiro, a principled man and upstanding law officer, gives his enemy every opportunity to surrender, only to be shot at and fatally injured by another Mafiosi who was later shot by Mello makes his way to New York where he hides out in the home of Mello later forces his way into the SPK HQ while holding Lidner at gunpoint, intending to retrieve the one existing photograph of himself from Near. Seriously tempted, Mello is talked into lowering his weapon by Lidner, who steps in front of the gun and warns him that shooting Near will only result in him being killed by the other SPK members, leaving Kira victorious since he would be rid of the only persons capable of matching him and bringing him down. Mello is first introduced to the story as a young teenager at Wammy's House. Obata said that, when he first heard about Near and Mello, he assumed that Near and Mello would join as a team and work together, so he envisioned the two as twins when he created the character designs. Ohba's idea of Mello ultimately defeating Light and Near - being "the best" - was strong in his mind, but once Mello had "learned too much about the Death Note" he had to kill him to "sustain the intensity of the story."
Mello begins to theorize that Kira probably used that rule to fool the Japanese police into thinking he was innocent (which is In time, Light discovers the location of Mello's Mafia hideout by having Soichiro Yagami views Mello's real name, Mihael Keehl, and lifespan.Taking advantage of Mello contacting the president, Light sends a US Army Special Forces team led by Mello reveals to the Task Force that he has the entire hideout rigged with explosive, which allows him to demand that the Task Force destroy the cameras on their helmets, drop their weapons, and have one of its members enter the room Mello is in while bringing a mask and the notebook, which leads to a tense showdown between Soichiro and Mello. Il sortit vivant du feu qui tua le père de À l'instar de L et de Near, Mello a un tic particulier : il mange sans cesse du chocolat. Near is unfazed by being held at gunpoint and even goes so far as encouraging Mello to shoot him.
Mello's hair was originally cut straight across, but Obata preferred Mello's hair becoming messy, which occurred later in the story.
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